Morning in the Village  (1973)

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Village Pond by Panchugopal Dutta (1982)
14.4 in x 20.6 in, Water Color on Drawing Sheet, Unframed

...The composition features a cluster of tall palm trees, their fronds arching gracefully against a moody sky. Below, a calm pond reflects the surrounding greenery, dotted with pink water lilies. The background showcases rolling hills, gently illuminated by diffused light. A few distant figures can be seen walking along the horizon, adding a sense of scale to the landscape. The color palette is dominated by rich greens and earthy browns, with hints of blue and pink, creating a dynamic interplay between the foliage and the water. The texture of the brushstrokes adds depth and movement to the scene.

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Village by Panchugopal Dutta (1972)
6 in x 4 in, Sketch Pen and Water Color on Post Card

...The painting features a cluster of stylized structures, characterized by distinct roofs and geometric shapes. Soft, rounded forms are contrasted by angular lines, creating a dynamic composition. A palette of muted blues and earthy tones dominates the background, while splashes of vibrant colors—yellows, pinks, and greens—highlight the architecture. Tall palm trees rise in the background, their dark silhouettes contrasting with the lighter sky. The presence of a flag adds a hint of movement. Textures vary from the smoothness of the watercolor washes to the more defined outlines of the buildings, giving depth to the scene.

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Village Women by Panchugopal Dutta (Undated)
6 in x 4 in, Watercolor, Oil Pastel, Sketch Pen on Post Card

...The painting features several figures partially obscured by trees, suggesting a scene in nature. The subjects, mostly women, are depicted in flowing garments with bright colors like red, yellow, and pink. They carry pots on their heads, hinting at daily activities. The background is a blend of greens and warm earth tones, creating a lively yet serene atmosphere. Light filters through the trees, illuminating the figures and casting soft shadows. The texture is rich, with layered strokes that give a sense of movement and depth.

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Young Vivekananda by Panchugopal Dutta (1992)
22 in x 15 in, Watercolor on Drawing Sheet

...The painting depicts a chariot drawn by two horses, set against a bright yellow background. The horses, depicted in white with blue and black markings, appear to gallop energetically. A figure, possibly a driver, holds a whip, suggesting motion and urgency. Behind the chariot, a colorful mosaic of images and symbols fills the background, including faces and objects intertwined with trees. A large, red sun dominates the upper left corner, casting a warm glow over the scene. The surface texture is expressive, with visible brushstrokes adding depth and vitality to the composition.

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Harvest by Panchugopal Dutta (1992)
30.11 in x 22.24 in, Watercolor on Poster Paper

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Flight of the Flocks by Panchugopal Dutta (1982)
21.8 in x 14.8 in, Water Color on Drawing Sheet, Unframed

...The painting depicts a flock of stylized birds in flight, arranged in a diagonal composition that suggests movement across the canvas. The background features a large, radiant sun, painted in bright yellows and oranges, which contrasts with the dark, bold outlines of the birds. The birds are rendered with intricate lines, their wings outstretched, giving a sense of grace and freedom. Surrounding the flock, swirling lines in soft yellows and subtle reds create a dynamic atmosphere. The overall texture of the painting is smooth, with a glossy finish that reflects light, enhancing the vibrancy of the colors.

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Temple of Vishnu by Panchugopal Dutta (2012)
7.5 in x 7.5 in, Watercolor on Poster Paper

...The painting features a triangular structure adorned with intricate designs and floral elements. At the center, two stylized feet are depicted, symbolizing a divine presence. Surrounding the feet are circular motifs and vibrant banners in red, yellow, and blue. The background is a cheerful yellow with concentric circles radiating outward, creating a dynamic sense of movement. The lower section includes green grass-like textures with small flowers, adding depth to the composition. The overall effect is lively and engaging, inviting contemplation.

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Mahashunye Mahisasurmardini by Panchugopal Dutta
26.8 in x 17.3 in

...The painting features a central deity with multiple arms, each hand holding symbolic objects. Surrounding the deity is a circular mandala with a prominent star at its center. Below, a fierce face emerges from swirling clouds, accentuated by large, expressive eyes. The color palette is rich, dominated by deep blues and vibrant yellows, creating a striking contrast. The background is a gradient of colors, transitioning from light to dark, adding depth. Textures vary from smooth skin to intricate patterns on garments, enhancing the overall visual complexity.

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The Jasmine Pickers by Panchugopal Dutta (Undated)
10.24 in x 11.81 in, Water Color on Drawing Sheet

...The painting features a large green tree at the center, adorned with yellow fruit and white flowers. Beneath the tree, two figures are engaged in the act of harvesting, one holding a basket while the other is picking flowers from the ground. The background showcases a vast, golden field illuminated by soft, warm light, with hints of distant palm trees along the horizon. The sky is a gentle gradient of greens and yellows, creating a serene atmosphere. The brush strokes are loose and expressive, giving the scene a lively, dynamic quality.

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Baul by Panchugopal Dutta (1986)
8.3 in x 11.4 in, Water Color on Drawing Sheet, Unframed

...The painting depicts a seated figure, stylized and elongated, holding a stringed instrument. The figure is rendered in muted earth tones, primarily shades of beige and brown, with bold black outlines that define its form. Behind the figure, a radiant yellow and orange background creates a halo effect, suggesting warmth and enlightenment. The figure's posture is relaxed, emphasizing a sense of calm. The texture of the paint is smooth, with some areas exhibiting a slight sheen. Subtle diagonal lines in the background add a dynamic contrast to the serene subject.

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